An art gallery with a difference: Urban Spree, Berlin, Germany

Urban Spree
Revaler Strasse 99, Berlin
http://www.urbanspree.com/

If you’re not a big believer in “what’s meant to be, will be,” let me tell you a little story that may change your mind. After a long day in Berlin, I was flopped on the bed in my PJs having a look at the Berlin city map on my beloved Sygic Travel app to see what else was in the area of a particular Christmas market we planned to visit the following day. I saw a little logo right near the market and clicked on it: Urban Spree. The description read “This eclectic space hosts concerts, workshops, exhibitions, markets, festivals and other artsy events – just dive in and explore this vibrant place.” Great idea! Until I looked at the rest of the day’s activities and realised it was one of those days we’d be doing lots of stuff I’d enjoy/stuff that husband just tolerates because he loves me.

Fast forward to the next morning, and off we go to the Christmas market. We walked from the train station and followed the blue dot on the phone’s map towards the area of the market. And found ourselves in an absolutely incredible area that can only be described as hipster art gallery meets the apocalypse; we accidentally turned up at the back entrance to the market, which happened to be the front entrance of Urban Spree. And husband thought it was awesome, anyway. Meant. To. Be.

It’s actually kinda hard to describe Urban Spree. The website says:

“Urban Spree is a 1700 sqm artistic space in Berlin-Friedrichshain dedicated to urban cultures through exhibitions, artist residencies, DIY workshops, concerts, an art store and a large Biergarten.

Within Urban Spree, the Urban Spree Galerie is a 400 sqm independent contemporary urban art space. Set in a 70.000 sqm postindustrial compound in the heart of Berlin, the gallery benefits from its large urban grassroots ecosystem and offers its invited artists and photographers an ideal space for experimentation through ambitious on-site residencies.”

On the day I visited, without having read any information about it other than what was on the app, what it looked like to me was a crappy old industrial area full of abandoned buildings left to decay. Which was then taken over by a band of entrepreneurial hipsters and artists who decided to make something beautiful out of it. What you have to understand here is that I’m a Melbourne girl; I’m spoilt, I’m used to great street art projects, and it takes a bit to impress me. Urban Spree totally knocked my socks off. The bars and shops and galleries within it weren’t open on this particular day, but that only made for a better experience – there were only a few other people around, so we got to wonder around this phenomenal area in peace. Instead of snapping a photo and running to the next mural, we got to actually look at the pieces; I’m quite an introspective creature, so I couldn’t have been happier with all of that physical and mental space to take it all in and mull it over.

I imagine it’d have a pretty awesome atmosphere in full swing with people all around, live music playing and drinks flowing, but if you’re there for the art, I’d really recommend visiting early in the morning. We spent a good hour walking around before we finally made it to the Christmas market, and could have easily spent an hour more pouring over all of the artwork. With the rise of artists like Banksy, it’s really great that cities are slowly forming a more progressive view on art in its many forms – what would have once been considered graffiti on derelict buildings is now seen as real art, and the casual, outdoor gallery that is Urban Spree is getting a new generation involved in art in a way that the stuffy art galleries of old never could.

   

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A Introduction to Mardi Gras – and a visit to Mardi Gras World, New Orleans

Happy Mardi Gras!!! Ok, so I’m a day early, but it’s Monday morning and thought we could all do with starting the week on a high! Other than flashy parades and copious amounts of drinking, those of us who don’t hail from New Orleans really don’t know a hell of a lot about the big day. Husband and I knew a little more about it from books we’d read and some documentaries we’d seen, but we knew there was still a lot we didn’t understand. So when we made our return to New Orleans late last year, we decided to visit Mardi Gras World to learn a little more. Before we get to that, let’s look at the basics…

WHAT IS ‘MARDI GRAS’?
Those of you familiar with Easter celebrations have probably heard of Ash Wednesday. And if you’re an Aussie kid, you’ve definitely heard of Shrove Tuesday and ate pancakes for breakfast at school to celebrate; Mardi Gras, which translates as “Fat Tuesday,” is the same thing as Shrove Tuesday, falling the day before Ash Wednesday.

GREAT, BUT WHAT DOES THAT HAVE TO DO WITH THE PARADES AND PARTIES THAT GO ON IN NEW ORLEANS?
Ok, let’s break it down as simply as possible for those who don’t have a Catholic background…

– Ash Wednesday = the first day of Lent.

– Lent = the 40 days leading up to Palm Sunday during which practicing Catholics often give up something they usually enjoy (like chocolate or their favourite TV show) as a symbolic act of repentance and fasting.

– Palm Sunday = the Sunday before Easter, the first ‘celebration’ day of the season after the 40 days of fasting.

AND THE TUESDAY THAT IS MARDI GRAS?
– Mardi Gras = the last day before the 40 days of fasting and repentance begins. The celebration of Mardi Gras in New Orleans is basically rooted in the idea that if you’re going to be fasting and repenting and behaving for the next 40 days, why not overindulge in good food and booze and party like a maniac the night before?!

OK, SO WHAT’S THE DEAL WITH THE PARADES NEW ORLEANS HOLDS TO CELEBRATE?
No doubt you’ve seen photos or footage of the apparent carnage that is Mardi Gras in New Orleans; it’s actually a lot more organised and symbolic than it may first appear. To understand that, let me go back a bit and explain the ‘who’ behind the parades first.

Parades are organised by krewes, which are essentially social aid clubs. Membership is incredibly prestigious, can be quite pricey, and members take enormous pride in the events they organise and partake in. The New Orleans Tourism Marketing Corporation kindly list the city’s krewes on their website if you’d like to see read a little more about them.

The parades you see, with the big floats and costumed marchers are the culmination of what is usually 12 months work from the members of the city’s krewes (as in, once Mardi Gras is over, they start working on next year’s almost immediately). They commission and finance the floats and costumes, spending endless hours working on them, and the end result is those visually overwhelming parades. And the parades are fabulous, but knowing more about the work that goes into them has given me a much bigger appreciated for it all this year.

It has to be said that this is a very basic explanation of an event that is incredibly intricate and steeped in more tradition than I could possibly hope to cover in one blog post – we haven’t even touched king cakes, Mardi Gras Indians or the beads you see revelers wearing! You can head on over to Mardi Gras New Orleans to learn a little more, but hopefully that all makes a bit more sense, and will help explain what made us decide to visit Mardi Gras World…

Mardi Gras World
1380 Port of New Orleans Pl
http://www.mardigrasworld.com/

When I talk about the floats used in the parades, they’re not some cute little hand pulled wagons. They’re enormous – as in, the size of buses or coaches. Absolutely huge. So it’s fair to say the krewes couldn’t be making them all themselves – who’d have a workshop that big?! That’s where Mardi Gras World come in; Mr Blaine Kern, who started to learn the craft from his father, Roy, and later apprenticed with float and costume makers around Europe, started working on behalf of the city’s krewes (you can read more about the Kerns here). The family business now has 15 warehouses around the city where they build floats all year round for the Mardi Gras season. And you thought it was just a day of partying once a year…

For USD$20pp, you can tour one of their warehouses, see some of the artists at work, and learn a hell of a lot about the process of creating these colossal works of art. A few fun facts we learned during our tour…

– The large floats are owned by individual krewes and are stripped each year and re-decorated with new pieces.

– Old props are kept at the warehouses to potentially be re-decorated and re-used by other krewes.

– To create the pieces adorning the floats, the artists use a lot of old school papier mache over polystyrene, which they then paint over.

– There are around 60 odd krewes that each hold a parade over Mardi Gras period – that means 60 different floats and costumes for every. Single. Parade.

 

And if that doesn’t make you want to check it out for yourself, maybe some of those photos I took in there will! Now, to find a way to get back to New Orleans at Mardi Gras time…

A souvenir that lasts – 5 tips on getting tattooed while travelling

This is such a touchy subject, and one I’ve actually really been looking forward to writing about. Getting tattooed, while you’re travelling overseas. The irony of this is that “overseas” is different for us all. I live in Melbourne. Maybe you live in London. Or Rome. Or Seattle. Or Vancouver. Does that mean that you, living in Seattle, wouldn’t feel safe getting a tattoo in London, even though hundreds of people are probably seeing tattoo artists there every day??! Of course not, that’s completely ludicrous!

I think that the main issue with this topic is that many people have preconceived notions that:
a) Only irresponsible idiots get tattooed to begin with.
b) If you get tattooed while you’re travelling, it must have been a spur-of-the-moment idea that you probably had while drunk and will really regret it later on.
c) Because it was such a stupid, unplanned decision, you’re probably just going to get it done in some dirty, back-alley garage by a big guy in a torn leather jacket who doesn’t sanitise his needles or even wash his hands between appointments, which he smokes his way through.

While point a) irks me to no end, being the happy owner of we’ll over a dozen tattoos, I’m not writing this as a rant against people’s uninformed assumptions; if you’re not willing to consider the opinions of others and see both sides of a story, I don’t care much about what you think. Instead, I’m writing this for those of you who, like me, are admirers of art, and have maybe seen some work by talented artists across the globe who you might consider visiting on your next trip. Or maybe there’s just a city you really love, and want to take a memory of that city home permanently, and you need to find the right person for the job. Either way, there are a few things to consider….

 

1. Do your research regarding design:
* Don’t just turn up with a vague idea and expect it to be perfected immediately. They’re tattoo artists, not magicians.

* It should go without saying, but if you’re planning to get a tattoo in a language you’re not familiar with, for goodness sake, make sure it means what you think it means, and make sure it’s spelt correctly!!!!

 

2. Do your research regarding tattoo artist:
* If you’ve been following someone’s work for a while, this step is a lot easier. Otherwise, search online for “best tattoo artist in XXX” and read through all the lists that come up – if certain names seem to keep popping up on every list, chances are that’s for a good reason.

* Check that reviews/lists are actually recent and still relevant, not advice from 10 years ago.

* Try asking around on online forums, like Trip Advisor and Yelp.

* If you’re in a country where you don’t speak the native language, be sure you’re going to be able to communicate exactly what you’re wanting.

 

3. On the day:
* Does this place take walk ins or do you need to make an appointment in advance?

* If you need to make an appointment first, is a deposit required? Is it refundable (often it won’t be)?

* Are they a cash only place when it comes to payment, or are you able to pay on card?

* How can you get in touch if your plans change?

 

4. Consider the point in your trip you’ll be getting tattooed:
* Generally, you don’t want to expose your new tattoo to long periods of time submerged in water or exposed to the sun, so if your next few destinations are going to involve swimming and sunning yourself, it’s probably not the best time to do it.

* If you’re a party person, it’s also worth considering how many big nights you’re going to be having, and not getting your tattoo done the day after. Alcohol thins your blood, which means you’re going to bleed a lot more, and that’s not ideal.

 

5. After care:
This will be a bit easier if you’ve been tattooed before – while the general guidelines are pretty similar everywhere, only you know how your body heals and responds to certain ointments. As such, this advice is not to be taken as gospel, but for me, I know that:
a) I need to use Bepanthan cream for 4 – 5 days on my new tattoo, then switch to a gentle, non-scented moisturising cream.
b) my tattoos heal best when they’re kept covered for the first few days, and then left uncovered with a layer of Bepanthan where possible, or covered with plastic wrap over the Bepanthan again if they’re in an area that needs to be covered with clothing.

Knowing this, I packed some plastic wrap, medical paper tape and a tube of Bepanthan – I have sensitive skin, and after so many tattoos, I’m not willing to risk trying anything new at this point when this system has been working well for me for the past 12 years!

 

As you can see, we not dealing with some secret tricks – it’s basic common sense for the most part. If you do decide to get a tattoo in a foreign language made up of some cool characters that you’ve seen on a street sign after leaving a night club after having way too much to drink, and you do stumble into the first tattoo parlour you see with a quick iPhone snap of the street sign, then yes – you are an idiot and no one feels sorry for you and the crappy tattoo you’re going to end up with. For the rest of you who are looking for a lasting piece of artwork as a souvenir from a meaningful time or experience that you can literally carry with you for the rest of your life, I hope this helps! 🙂

 

As for me, I left home wanting to add to my collection, and …

Done by Martin at Sweet Hell Tattoo, Reykjavík, Iceland

Done by Pabby at Downtown Tattoo, New Orleans, USA

Travel art journal: Vietnam 2016 – eating & drinking

“So what did you guys do in Vietnam for two weeks?!”
“We ate. And drank. A lot…”

 

Our answer to that question is met with either “umm… Ok…” and raised eyebrows (people who haven’t been to Vietnam) or “ohhh my god, you’re so lucky, that must have been amazing!!” (people who have been to Vietnam).

 

Given how powerful food can be in bringing back memories, I decided to draw some of the food and beverage stops we took, rather than just snapping quick photos…

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Through my eyes: The Yellow City of Hoi An

I read an article on Singapore Airline’s inflight magazine, SilverKris on our way to Vietnam; it featured some stunning photos by a photographer whose name I can’t now recall of Hoi An. He decided to base his photo series on the beautiful yellow shades of the city, which you can’t believe the brilliance of if you’ve never seen them.

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I may not be a professional photographer, but I know beauty when I see it, and did my best to capture the golden city through my own eyes (and watercolours)…

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Back to school: Art journal classes with Koosje Koene

One of my new year’s resolutions this year was to take some classes and learn something new just for the hell of it. Something I just wanted to find out more about and learn just because. When I was younger, I spend a lot of time writing and drawing. And painting, and making 3D art, and sewing things together… I was a very creative child. As I got a bit older, I still wrote, but the visual arts dropped off.

This year, in my attempts to get back to the real me, I wanted to get back into drawing again. My auntie is a wonderful artist herself, and once she found out it was something I was trying to get back into (she’d bought my so many pencils and pastels and sketchbooks when I was younger!), she had so much encouragement, which was an enormous help. She even brought some of her sketchbooks along to a breakfast date we had a while ago to show me how she worked on the road (she travels a lot, too). With that bit of extra encouragement, I also decided to bite the bullet and sign myself up for an art class, which has just come to an end!

I came across Koosje Koene’s Instagram page a while ago and admired from afar – I loved her style and how she combined some realistic elements with some more fun stuff. I followed the link to her website, and found that she ran some online art classes, which was what I eventually signed up for. She offers a few classes, actually, but the one I went with was the “Art Journaling Class;” a four week online group class with like-minded souls from all around the world, learning from Koosje’s online lessons and videos.

The idea behind the class is to help you keep a daily journal, but with art as well as just words. We covered pencil and pen drawings, water colours and coloured pencils, shadowing and lettering techniques, and quite a bit more. The big advantages for me in doing this class online rather than in person was
a) I could fit it in at my leisure, instead of trying to get to a class in a set place at a set time every week – life is crazy and it’s a lot less pressure when you can do the class on Tuesday one week instead of Monday if need be; and
b) For someone with anxiety, it’s so much less pressure being able to work at your own pace!

The other great thing was that everyone else signed up to do the class were really lovely and supportive – each week gave us the opportunity to upload the pieces we’d been working on for. There were never any nasty words, just helpful comments and advice, which was very much appreciated. Also, because the other students were of all ages from around the world, there were lots of different ideas and perspectives, which made it a lot more valuable, I think, than taking a class with 10 other people from the same city as you.

The pictures throughout this post were some of the pieces I worked on throughout the 4 weeks, and I’m happy to say that I am definitely keeping it up now that the classes are done. I’ve also put together a little notebook with paper for both writing and drawing to bring to Vietnam with me, because a piece of advice from my auntie’s really struck home; she said that she likes to take time out when she’s travelling to grab a coffee and just sit and draw a while, because you notice SO much more, which means that sketch is going to evoke so many more memories than that quick photo you’ve snapped.

Even though I’ve always loved to draw, I’ve lost a lot of confidence having not made time to do it regularly, so this was the perfect class for me; very supportive and self-paced, back to basics, and very fun. The other big problem for me is my tendency toward perfectionism; you have no idea how many pages have been torn out and entire books discarded because something was “wrong.” Learning to embrace the quirks and “mistakes,” and to stop procrastinating out of fear my work won’t be perfect were the greatest lessons I learnt, and are far more important than colour theory and how to shadow objects. If you’re the sort of person who often says “I wish I could draw,” this is the kind of class for you 🙂 It’s given me the confidence not only to start drawing again, but I’m on the look out for some more art classes now! Any recommendations would be much appreciated, it anyone has any!

TBT: NOMA Sculpture Garden, New Orleans

NOMA Sculpture Garden
One Collins Diboll Circle, City Park, New Orleans
http://noma.org/pages/detail/28/Sculpture-Garden

It’s been a long week. I’ve been craving burgers and donuts. But I can’t have any right now. So to take my mind of them tonight (well, it’ll be last night by the time you read this on Thursday morning), I flicked through my travel journal from the trip to America earlier this year, reading back over the pages from New Orleans, my favourite stop. That, in turn, got me looking back at some photos, and then I wanted to draw a little – New Orleans is an artist’s town, after all.

Full disclosure before I go on: I’m not an “artsy” person. I don’t really ‘get’ art. Don’t get me wrong, I’m very much a creative sort; I grew up constantly writing, drawing, painting, singing, sewing, photographing, all that jazz. I love nothing more than crawling into bed at the end of a long day and scribbling a little in my sketchbook to help me wind down. But “art,” I don’t get, so I apologise in advance if my photographs of some of these works don’t really do them justice, or if I don’t realise just how important some of them actually are; I didn’t visit the Sculpture Garden in the New Orleans City Park to admire the art, I visited because the park is just so beautiful, and after spending a few weeks in the snow, I was looking forward to being around gorgeous greenery and being able to actually sit in the park without literally and figuratively freezing my ass off!

Anyway, the gardens are absolutely gorgeous and deserving of a visit when you find yourself in New Orleans. As for the art, though I was skeptical on arrival, I actually found that the pieces were pretty cool for the most part! Here were some of the ones that caught my eye…

 

LOVE, Red Blue

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Corridor Pin, Blue
(and in the background, Untitled)

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Pablo Casal’s Obelisk

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And, this guy. I couldn’t find any information on him on the NOMA website, but he was my favourite.

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